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In the center of Beijing, overlooking the vast expanse of Tiananmen Square, hangs a portrait of Mao Zedong. It is 4.5 by 6 meters, weighs 1.5 tons, and is replaced every year before National Day. Rumors persist that the portrait shrinks slightly with each iteration—a subtle, almost magical shrinking of the Great Helmsman’s influence. But as Tania Branigan notes in her book Red Memory, the image remains colossal, its gaze inescapable. In this week’s podcast, I explored the politics of memory in modern China. Tiananmen Square is not just a physical space; it is a palimpsest of Chinese history. It…

