• Brecht vs. the Bourgeoisie: Epic Theatre and the Politics of Estrangement

    Abstract: This article examines Bertolt Brecht’s development of Epic Theatre as the most politically engaged and formally radical artistic project of the Weimar Republic, arguing that it constituted a systematic assault on the ideological foundations of bourgeois society. It posits that Brecht’s theory and practice—centered on the Verfremdungseffekt (alienation effect)—represented not merely an alternative theatrical style but a comprehensive philosophical and political program designed to transform audiences from passive spectators into critical, historically conscious agents of change. Through analysis of Brecht’s key theoretical writings, his collaborative partnerships with Kurt Weill and Erwin Piscator, and his seminal works The Threepenny Opera…

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  • The Dream and The Power: An Ideological Rupture in the Black Freedom Struggle

    The familiar narrative of the Civil Rights Movement often progresses smoothly from the moral suasion of Martin Luther King Jr.’s “Dream” to the legislative triumphs of 1964 and 1965. This narrative, however, obscures a profound and disruptive ideological rupture that fundamentally reconfigured the struggle for Black freedom in America. The rise of the Black PowerBlack Power Full Description:A political slogan and ideology that emerged as a critique of the mainstream Civil Rights Movement’s focus on integration. It emphasized racial pride, economic self-sufficiency, and the creation of independent Black political and cultural institutions. Black Power represented a shift in psychological and political…

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