In this episode of the Explaining History Podcast, we examine the enduring legacy of austerity – a policy that officially ran from 2010 to 2024, but whose cultural and political effects are still very much with us.

The Labour government has made token gestures toward rolling back austerity – ending the two‑child benefit cap, for example – but the structural damage done to British society is likely unfixable without something approaching wartime levels of economic mobilisation. The real story, however, is not just about cuts. It is about how austerity was sold to the public.

Drawing on Liam Stanley’s *Britain Alone*, I explore how thrift became a nationalist virtue. The “keep calm and carry on” aesthetic, wartime nostalgia, and television shows like *Super Scrimper* turned prudent consumption into a marker of belonging. Those who made the “right” choices – growing vegetables, knitting, reusing leftovers – were celebrated as proper Britons. Those who didn’t – often the working poor – were stigmatised as feckless, their poverty framed as a moral failing rather than a structural one.

The two‑child benefit cap was never about economics. It was a weapon of class prejudice, designed to punish poor families for having “too many” children. And it worked – not because it saved money, but because it appealed to middle‑class anxieties about who deserves support.

Austerity may be officially over, but its ideology of moralised consumpti