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This article presents a comprehensive analysis of the symbiotic relationship between organized crime and the development of jazz during the Prohibition era (1920-1933). It argues that the illicit capital generated by bootlegging operations served as the primary financial engine for the professionalization and national dissemination of jazz, creating an unlikely and often problematic patronage system that transcended the era’s rigid racial barriers. Through examination of speakeasies, gangster-owned clubs, and mob-financed record labels, this article demonstrates how jazz musicians navigated an economy shaped by violence, social stigma, and unprecedented economic opportunity. The central thesis posits that Prohibition’s shadow economy, while morally…
