This article examines the complex social phenomenon of racial passing during the Jazz Age as both a pragmatic survival strategy and a profound critique of America’s rigid racial hierarchy. It argues that passing—the process where individuals of mixed-race ancestry crossed the color line to live as white—represented a radical interrogation of the very concept of race itself, exposing the biological absurdity of the “one-drop rule” while simultaneously revealing the crushing weight of systemic racism. Through analysis of literary works by Nella Larsen, Jessie Redmon Fauset, and James Weldon Johnson, alongside historical case studies and the era’s social science discourse, this…

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