• The Great Migration as Cultural Watershed: Demographics and the Making of a National Aesthetic

    This article examines the Great Migration (1916-1970) as the fundamental demographic catalyst for the transformation of jazz from a regional folk tradition into a national art form. It argues that the mass movement of approximately six million African Americans from the rural South to the urban North and West did not merely relocate musicians, but created the essential conditions for jazz’s modernization, commercialization, and artistic evolution. Through analysis of migration patterns, urban settlement, and the resulting cultural infrastructure, this article demonstrates how the concentration of Black populations in cities like Chicago, New York, and Detroit generated the critical mass of…

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  • From Bullhorns to Hashtags: How Media Technology Transformed the Civil Rights Movement

    The story of the American Civil Rights Movement is inextricably linked to the story of American media. The struggle for Black freedom did not occur in a vacuum; it was fought, in large part, on the battleground of public perception. Each major phase of the movement leveraged the dominant communication technologies of its era, not merely to report on its activities, but to shape its strategy, mobilize its followers, and wage a war of ideas against a powerful and entrenched opposition. The evolution from the print-based networks of the Black press, to the transformative power of broadcast television, and finally…

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  • A Dichotomy of Sound: The Parallel Economies of “Race Records” and Mainstream Popular Music in Jazz Age America

    The cultural ferment of the Jazz Age in the United States was soundtracked by a deeply segregated music industry, which produced two distinct, parallel musical economies. This article examines the genesis and implications of this dichotomy, contrasting the mainstream, white-dominated popular music market with the niche-marketed “Race Records” industry. It argues that the commercial category of “Race Records,” while a product of exploitative corporate structures designed to profit from racial segregation, inadvertently created a crucial platform for autonomous Black artistic expression. By analyzing the aesthetic divergences between these parallel soundscapes, the role of the Black press as a curatorial force,…

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